Friday, September 28, 2012

Presidential rhetoric assignment: part one


“I wished to write a speech which would be a praise of Helen and a diversion to myself.”
            Gorgias, “Encomium of Helen”

Gorgias began the semester with an important announcement: in one light, rhetoric is a puzzle, a sort of mental toy. The start our play – ala Aristotle - by carefully considering what we might say, what it is possible to say, and continues by figuring out the best parts of that to use to address these people, in this place, at this time.

For this assignment, I want you to take a text, a series of texts, or a central aspect of the Presidential campaign (or a related topic) and apply in a focused way one or more of the concepts and principles we’ve engaged so far this semester. My interest in this assignment is that you try out, in a comprehensive and detailed way, analyses based on the ideas we have explored this semester.

Before you write, take Aristotle seriously: sit down with your text (or texts, or whatever it is you are working with) and with the rhetorical concepts we’ve taken up, and work through them. Look closely at topics, at modes of appeal, at argumentative strategies. Ask questions about the things you find. If you note that an advertisement seeks to make the audience angry, explain how it does that. (This doesn’t just mean saying, “The ad seeks to create a sense of anger by showing how the candidate’s incompetence caused a financial disaster.” Further, you’ve got to consider the question “Why did the creators of this ad know that this topic would make this audience angry?” In other words, keep pushing your answers.)

That’s stage one, and it’s due by Wednesday Oct. 3. These are notes, the finding out, the pre-writing.

Stage two will continue the invention part: invention never stops (another thing that sets it apart usefully from pre-writing, by the way: by definition, pre-writing stops when writing begins). Stage two is where you look at what you came up with and start thinking about what you can say using it, given what you have seen in it, and ask these questions of it: how can you write this piece in a way that will engage readers because it is 1) saying something interesting and worth saying, and 2) trying to engage readers.

The audience is, of course, us. I grant that the entire exercise is completely driven by the rhetorical situation of the teacher-mandated writing assignment, but once we’ve gotten past that, I’m not so interested in “what I want.” I’m more interested in your sense of what we want. Part of your job, as a rhetor, is to appeal to us. Now, the questions you asked about one text (& etc.) become questions you ask about your text. It’s a construction job, and it requires that you think about how to appeal to us.

Style and stylistic terms

For Monday, I want you to pay attention to stylistic choices as another aspect of your analysis. As part of this assignment, do two things. First, browse through this website: http://rhetoric.byu.edu/ - on the right side of the page, under "flowers," you'll see a list - endless - of figures of speech. I want you to mess around in this list and identify from it four figures of speech that you find interesting, and then I want you to write a sentence or passage reflecting each of those figures of speech. Then, I want you to think about the stylistic choices within the text or texts you are analyzing, and remember that we'll need to think about style in part in visual terms too.

Friday, September 21, 2012

Failure

Not me - but my goal: Fail. I have not commented on all your blogs by class today.

But I love reading your blogs and your entries - they are compelling and at their best they are eager. Please go through the blogs this weekend and read through entries within them and comment. On Monday, I want to have a conversation about what you're seeing on the blogs, about what is interesting, confusing, provocative, etc.  What we talk about will depend on what you are ready to say about them, so be specific and be ready to point us to particular blogs.

I am still moving forward!

Wednesday, September 19, 2012

Present resentment

I am really starting to hate those little number and letter combos I have to type in that window - about 50% of the time incorrectly - every time I post a comment.

Enthymemes, signs, maxims

One of the things I want to get you accustomed to doing is trying stuff out - trying out concepts and applying them to actual texts. You've started doing this, but I want to encourage an even higher degree of specificity in your analyses - that is, when you write about a particular feature in a particular text, I'd like to see you include examples and some discussion of why you think that's there. It's the only way, in the end, that you'll get a clear handle on these concepts, or at least a grasp of how they might be useful both as tools for reading and tools for composing.

So, I want you try out, specifically, the concept of enthymeme, again applied to a particular text surrounding the campaign. What I want you to do, that is, is identify a place in a text where you see an enthymeme, and discuss it. That means you'll need to identify the premise or premises made visible, as well as the premise or premises left out - it's kind of a fill in the blank exercise, but the blank is hidden.

You might try out some of the other categories Aristotle suggests as well, like paradigm (example) and maxim. Again, the degree to which these concepts will give you a new perspective on texts and discourse is the degree to which you use them to do focus on specifics in a complex way.

So - write this on your blog by Friday, and come ready on Friday to talk about it in class.

Friday, September 14, 2012

Aargh

Sorry - I didn't post the assignment for today, and it's now today, and we meet in a few minutes. I hope that you proceeded anyway, using my explanation in class on Wednesday, but here's what I was asking:

Aristotle offers a comprehensive listing of both specific topics (that is, the various ways of making arguments connected to deliberative, judicial, and epideictic rhetoric) in Book I and common topics (arguments that are connected across kinds of arguments) in  Book 2 chapter 23. What I want you to do is begin to analyze your piece of presidential rhetoric according to the topics he presents. So, for example, Aristotle lists many questions about the advantageous in Book I chapter 6. How do you see arguments about the advantageous appearing in the text you are analyzing? The more specific you can get here, the better, as you work through these.

What you're doing, as you identify these issues, is sort of the reverse of what Aristotle is presenting them for. Aristotle sees these topics - as I read him - as a method of analysis, a method of asking and considering an issue from a variety of perspectives. What we'll want to start identifying as we consider these issues is what sort of topics we see coming up on a regular basis.

Topics, it might be useful to remember, appear in two forms: there is the "rhetorical syllogism," or enthymeme, and there is the example, or the sign - essentially we're looking at the difference between deduction and induction, respective: the enthymeme relies (usually) on a deductive process, and the sign or example on induction. So, when you're looking for topics, you're looking for the basis of the claims being put forth in the text, the ways in which those claims are defended, which includes both evidence and the reasoning process.

You'll work through Book II next week, and for Monday I'd like you to have read Chapters 1-17 of this Book. These are about emotion - pathos - and I'd like you to explore the ways in which you see pathos at work in the text surrounding presidential rhetoric you are examining. Please write about this on your blog as well, being as specific as you can be.

We're sort of working through steps of rhetorical analysis, using Aristotle as our guide, and getting comfortable asking particular questions about texts as a way of breaking them into categories and parts. Our categories will grow as we move beyond Aristotle, but his categories will always be relevant as well - we'll just continue to expand on them. When you do a rhetorical analysis, of course, you don't have to work through every single category - at least in the final text - but a comprehensive rhetorical analysis will certainly have as part of the process of invention a careful questioning of the text at hand, just to see what you notice and how it works in those texts. So part of what I want you to do here is become comfortable with these steps.


Wednesday, September 5, 2012

For Friday

Your assignment for Friday is to read all the questions that appear in the class blogs and respond to three of them. Please go back to your own blog as well, and, to the degree that you can, add to the responses that your classmates have left on your blog. In your responses, please make direct reference to passages or ideas from Gorgias. 

We'll begin reading Aristotle for next week, and as we do, we'll add to our discussion of the ethical issues surrounding rhetoric some technical issues. That is, we'll start exploring some basic terminology around rhetoric that we'll need to understand about over the course of the semester. To that end, for Monday's class, please read the Kennedy's Introduction and Chapters 1-8 of Book I for Monday. Come to class with notes and questions (you don't need to post those to the blog this time, just have them with you.)

Also by Monday, please post to your blog one text from the present presidential campaign, either embedded or as a link. This can be the written text of a speech, a campaign ad, something connected to one of the National Conventions, or anything else connected to the campaign that you find interesting. In your blog entry, please explain why you chose it.




Monday, September 3, 2012

For Wednesday

I posted, and then it disappeared! So my second one will be shorter. In any case, it was late already, so sorry. I figured you had enough to read, at least:

For Wednesday, come with notes from Gorgias that identify the major criticisms Plato (via Socrates) levels at rhetoric - be ready to think through the his reasons and your reactions to them. Also, write a question about something you don't understand within the text.

We're opening the semester getting a broad outline of some of the ethical issues surrounding rhetoric, because we'll return to them this semester. But we'll also be turning to politics soon, and these questions will remain front and center.

I'll write some more tomorrow about Gorgias; let me know if you have any questions or concerns about anything related to the class. I always appreciate feedback that lets me change how things are going.